New: June 2018:

marvels front cover smallMARVELS: The Life of Clarence Bicknell
Botanist, Archaeologist, Artist.
By Valerie Lester.

A treasure trove of research discoveries enlightens Valerie Lester’s biography of the captivating scientist and artist, Clarence Bicknell. Over 5 years, Lester pored over hundreds of newly-discovered letters, botanical watercolours and arts-and-crafts designs in archives including the Natural History Museum, the Fitzwilliam Museum in Cambridge, the Conservatoire Botanique in Geneva and Genoa University. Every letter and diary entry provided Lester with Clarence’s voice; and each of his vellum-bound albums revealed drawings, watercolours and whimsical creations. The biography’s text, supported by more than 200 images, gives remarkable insights into how and why this man strove for perfection in each subject he tackled.

Clarence was a product of the late-Victorian Enlightenment, of the desire to understand our world and the quest to express it all creatively. Having lived for forty years in Bordighera on the Italian coast and spent summers at Casterino by the Vallée des Merveilles, now in France, he is a respected historical figure on both the French and Italian sides of the Riviera and the Maritime Alps. The irrepressible former clergyman dedicated himself first to botany, then archaeology in the high mountains and, towards the end of his life, to botanical art tinged with the whimsy of humour, narrative, affection for his friends and arts-and-crafts originality.

Valerie Lester was an independent scholar, writer, and translator living near Boston. She wrote Fasten Your Seat Belts! History and Heroism in the Pan Am Cabin (1995) and Phiz, The Man Who Drew Dickens (2004) and a biography of the great Italian typographer: Giambattista Bodoni: His Life and His World.  She translated Alain-Fournier’s Le Grand Meaulnes with the title: The Magnificent Meaulnes (2009).

Praise for Marvels: The Life of Clarence Bicknell

  • Rich in information and unpublished sources that enhance our knowledge of the great Clarence Bicknell and the history of Bordighera. (Gisella Merello Folli)
    Marvels – The Life of Clarence Bicknell is a fantastic book. The abundance of wealth in the text, the beautiful layout, the multitude of images; life’s very perfume rises from the pages. (Giuseppe Bessone)
  • A hugely readable book and a wonderful vignette on Victorian life. (Carolyn Hanbury)
  • Lester brings her marvellous energy and vision to life, and the copious beautiful illustrations vividly express Bicknell's wonder at the world’s riches. It all adds up to a superlatively exhilarating reading experience. (Robert L. Patten)
  • Through its pages, rich in unpublished sources and documents, we rediscover the greatness of Clarence, his exceptional, empathetic and brilliant life and the current strength of his work. (Daniela Gandolfi)
  • This is a delightful book, well-written and researched, copiously illustrated, drawing on family and museum archives and showing Clarence's beautiful botanical drawings. (Selby Whittingham)
  • The book is in itself a vibrant watercolour of European culture at the turn of the 19th and 20th centuries . . . a volume rich in information and ideas for reflections. (Mauro Mariotti)
  • Valerie Lester once again brings to life an extraordinary figure from the past, the compelling Clarence Bicknell (1842–1918), whose lifelong curiosity and abundant energy carried him from religion and philosophy to botany, archaeology and the exploration of faraway places. An accomplished author and painter, Bicknell spent much of his adult life in Bordighera and the hills of the Italian Riviera. Lester describes Bicknell’s active life in vivid detail, giving her readers a sense of his sweet disposition and drive to discover, and a good taste of the places and time in which he lived. Filled with photographs and drawings that enrich the narrative, this is a wonderful book. (Bruce Kennett, author of W.A. Dwiggins: A Life in Design)

Published by Matador Books on  28 June 2018. Distributor: Orca Book Services. Tel: 01235 465521. Email: Tiu ĉi retpoŝtadreso estas protektata kontraŭ spamrobotoj. Vi devas ebligi Ĝavaskripton por vidi ĝin.Thema subject category : AGNB – Botanical art. Hardback 260 x 185 mm 256 pp Portrait. 212 images, full colour throughout. ISBN 9781789014945. Matador is an imprint of Troubador Books, Tel: 0116 279 2299, Email: Tiu ĉi retpoŝtadreso estas protektata kontraŭ spamrobotoj. Vi devas ebligi Ĝavaskripton por vidi ĝin., in cooperation with the estate of Clarence Bicknell and the Clarence Bicknell Association  Tiu ĉi retpoŝtadreso estas protektata kontraŭ spamrobotoj. Vi devas ebligi Ĝavaskripton por vidi ĝin.

The team of researchers is thanked by Valerie Lester thus... "I owe my deepest debt to the team which helped me put this book together. We are six: Marcus Bicknell, the driving force; Susie Bicknell, researcher, specialising in Clarence’s art; Graham Avery, mountain walker, botanist, writer and researcher; Helen Blanc-Francard, landscape designer, writer, picture researcher; Christopher Chippindale, archaeologist, author and Clarence specialist; and myself, the principal writer. Biography is usually a lonely profession, but being a part of this team took care of that. Its members offered me encouragement when my spirits flagged and new material when I got stuck. I cannot imagine working with a kinder, more competent, more supportive group of people. The extraordinary work done by the book's editor, designer and production director, Sally Salvesen, along with maps by Martin Brown, the family tree by Gwyneth Hibbert and the index by Nick Humez, make the finished article a volume of which we can all be proud."

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The Casa Fontanalba Visitor's Book

The art reproduction of Clarence Bicknell's illustrated vellum-bound album from 1906, the Casa Fontanalba Visitors' Book, available since October 2017 on this web site (click on Shop above) is published in May 2018 in the UK (available at selected retailers, Amazon etc.).

The book was scanned from the original in the Bicknell Collection and printed at the Indigo Press in Southampton on a £1million Komori Lithrone S29P HUV perfecting off-set litho 4-colour machine, which prints both sides in one pass by using UV heaters to dry the ink in milliseconds before the paper reaches the next colour roller.

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