Esperantist

“C. Werner, friend of Dr Mader, who came with him to visit us”, 1906

The interest in our recently-published reproduction of Clarence Bicknell’s “Book of Guests in Esperanto” continues to throw up interesting snippets of detail. Graham Avery has been writing notes on all the famous botanists who visited the Casa Fontanalba; many of them were honoured with an entry in the “Book of Guests in Esperanto”. Of a […]

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La Gastolibro de Clarence Bicknell en Esperanto

Eldonita en julio 2022 kaj nun havebla, tutmonde, de Amazon, aŭ en certaj librovendejoj kaj ankaŭ de www.clarencebicknell.com/shop se vi loĝas en Britio. The Book of Guests in Esperanto estas majstroverko de sindediĉo kaj talento de la stilo arts-and-crafts en akvareloj de talenta kaj distra multesciulo de la malfrua 19-a jarcento. Clarence Bicknell (1842-1918) konstruis

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Clarence Bicknell’s Book of Guests in Esperanto – published July 2022

Clarence Bicknell’s Book of Guests in Esperanto is a masterpiece of dedication and arts-and-crafts talent in watercolours, published in book form worldwide.. Published July 2022 on Amazon and in selected bookshops. Clarence Bicknell (1842-1918) built his summer house, the Casa Fontanalba, in the Italian Maritime Alps in 1906, and year-after-year created hand-drawn vellum-bound albums featuring

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Postcard from Clarence Bicknell to Emile Cartailhac, April 1911

Postcard from Clarence Bicknell to Emile Cartailhac, April 1911, in the archives of Toulouse University. With thanks to Helen Blancfrancard for finding it and sending us the link. VersoCard postmarked 11th April 1911, over a green stamp of the Bordighera Esperanto Group Antauen. Sent to Le Prof. Emile Cartailhac, 5 rue de la Chaine, Toulouse,

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Clarence’s death and Luigi’s Forget-Me-Not

104 years ago today, 17 July 1918, was a sunny day in Casterino. Luigi Pollini carried Clarence Bicknell out onto the terrace of his ‘cottage’ where he died peacefully, in the surroundings which he loved, encircled by the mountains which he knew as ‘The Gate of Heaven’. Luigi was not just someone in Clarence Bicknell’s

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Margaret = Margherita = Daisy

A decorative floral design from his Book of Guests in Esperanto written and drawn by Clarence Bicknell between 1910 and 1918. Clarence Bicknell wrote a page in Esperanto about each visitor and decorated the page with a botanical drawing, often developing the guest’s initial into a monogram. In the Bicknell Collection curated by Marcus Bicknell

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Celebrating Graham Avery’s 10 years working on Clarence Bicknell

We celebrated by Zoom on Friday night the ten years since Graham Avery started working with us on Clarence. Below you can see the first email which Graham sent to us, ten years ago. The first of many of course. His numerous articles are at www.clarencebicknell.com/documents. He told us about the books he is writing

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The Book of Guests in Esperanto – the mystery of the end date

Our team is working hard on the upcoiming publication of the the Book of Guests in Esperanto by Clarence Bicknell, a little masterpiece of mountain flowers in his arts-and-crafts style opposite a short note on each of the overnight guests in the Casa Fontanalba. One subject Graham Avery raised has me stumped. He writes “The

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Clarence Bicknell’s three main books now available online

Flowering Plants and Ferns of the Riviera and Neighbouring MountainsClarence Bicknell, 1885https://books.google.co.uk/books/about/Flora_of_Bordighera_and_San_Remo.html?id=TkC9QAAACAAJ&redir_esc=yThe printed version of the book is available at AbeBooks for about £20 (print on demand). Copies of the first edition have occasionally been available in the past from specialised booksellers for about £350. Flora of Bordighera and San RemoClarence Bicknell, 1896https://www.google.co.uk/books/edition/Flora_of_Bordighera_and_San_Remo/oKM-AQAAMAAJ?hl=en&gbpv=1&dq=Fritz+Mader&printsec=frontcoverThe printed version

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Aquilegia atrata in Clarence’s Book of Guests in Esperanto

A decorative floral design by Clarence Bicknell from his Book of Guests in Esperanto. Here he plays tribute to one of his best friends and helpers; “Luigi Pollini was for many years and still is my factotum, but particularly for my botanical interests. He helped me collect plants in Italy, France, Switzerland, Spain, and also

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