By Helen Blanc-Francard and Marcus Bicknell
Research by Helen Blanc-Francard with additional material from Giselle Merello Folli
A cooperation of the Clarence Bicknell Association
Download this article with its pictures in pdf
Clarence arrived at the twilight of his active life, 76 years old in 1914 as the Great War tore up Europe. He was a pacifist who had devoted himself to Esperanto, the universal language, which he thought could bring peace to all peoples. As his deception grew and old age crept on, Clarence continued to help the wounded soldiers convalescing in Bordighera alongside his regular work helping the poor and aged of the town. Clarence liked doing things with his hands, and knitting was one of them. Maybe handiwork is the characteristic of a man who enjoyed helping others in practical ways, especially in times of crisis (read Valerie Lester’s chapter Terremoto on the earthquake of 1887), working with Padre Giacomo Viale for the poor and sick of Bordighera and during the Great War. Valerie Lester devotes a chapter of MARVELS – The Life of Clarence Bicknell to Good Deeds and the War Years. She writes
“Clarence busied himself with philanthropy and volunteer aid. He worked for the Red Cross; he rolled bandages and made slippers – and presumably caught up with his knitting; he collected medicinal and aromatic plants to sell in benefit of the Red Cross; he made little bags that he filled with sphagnum, a moss, to apply to wounds – apparently one of the best cures – but complained that no one wanted to collect the moss without payment; and he visited the sick and comforted the weary. He described to Edward, not without a certain macabre humour, one of his visits to the sick: ‘Mrs Bonsignore had [her] finger poisoned by a white-thorn spine (probably other poison getting into wound) till at last the finger was cut off & we talked nearly all the time of this cheerful subject, but washed it down with some good wine, while we gazed at the relic of her finger & bone carefully preserved in her purse.’
“He turned his museum over to convalescing soldiers, and noted to Alberto Pelloux that there were army horses in the public garden, and that the Victoria Hall and the Casino were full of the wounded. ‘What a good thing it is to see useless or mischievous places being turned to good account’, he said censoriously. Ever since his first visit to the casino in Monte Carlo, he had loathed gambling and the harm it did.
“‘We have over 500 refugees! What are we to do to help them to live and be clothed and work, which is the most important, if they are not to follow the example of the Bordighotti and become thieves? I really do not know if our unpatriotic town will do its duty or is worthy to have these people . . . We shall all be glad when this night is over and the day breaks, as it must some day.’ Clarence had no patience with the dolce far niente attitude of the locals. In his opinion, everyone, man, woman, and child should pitch in.” When Clarence first arrived in Bordighera, in 1878, he was already a confirmed knitter.
“He moved away from church matters in his entry for 18 October: ‘I finished a pair of woollen baby’s boots & gave them to Imperiale – he is such a dear fellow.’ Clarence took his knitting seriously. He then embarked on a kettle-holder for Imperiale with his monogram in the centre. It was not entirely successful: ‘A “work of heart”: that is all I can say about it, for the design is weak & the execution worse.’ Parrett too was working away, making ‘carpet fringe at a fine rate’ and the Fanshawe ladies ‘beat Kidderminster, Brussels &c &c hollow, by their pretty & comfortable mats & carpets.’ A few weeks later, Clarence took crochet lessons from a Miss Stubberd.”
So it is hardly surprising, given Clarence’s interest in knitting and handiwork, that two researcher-friends, Helen Blanc-Francard and Gisella Merello, in the circle of the Clarence Bicknell Association have come together at the same place.
Nursing the wounded soldiers in Bordighera – Helen Blanc-Francard
In supporting Valerie Lester’s book research in 2016, Helen Blanc-Francard unearthed articles by Ferruccio Poggi drawn from the Journal de Bordighera about the efforts made for wounded soldiers convalescing in Bordighera. We reproduce below in full the three articles by Ferruccio Poggi, of which a typical entry is…"Rilevò l'atto munifico del Signor Bicknell, che lascia gratuitamente all'associazione ed ai soldati convalescenti l'uso dello splendido locale ad uso museo sulla Strada Romana coll'attiguo incantevole giardino".“He noted the bountiful activities of Mr. Bicknell, who gives to the association and the convalescing soldiers, free of charge, the use of the splendid museum room on the Via Romana with its charming garden .”
Helen also found an article by Dorothea Matilda Taylor on nursing the wounded in 1918 in several parts of Italy and the Riviera, which we reproduce in full in Appendix 4 below.
Image, right: Piccoli ospedali da campo furono attendati nell'area pianeggiante, ora occupata dai campi da tennis, e dietro la Casa Bianca.
As well as donations of items like sheets and bandages, war hospitals needed food supplies for the wounded soldiers. British Red Cross V.A.D. members worked as cooks in British Military Hospitals in places like Genoa, Bordighera, Cremona, Arquata Scrivia and Taranto. On average they prepared and served 40,000 meals per month. Dishes for the recovering soldiers included jellies, broth, custard and chicken soufflé.
Photos of convalescing military personnel in Cannes also confirm that if you didn’t actually die, the Cote d’Azur and Bordighera’s luxuriously equipped hotels were a great place to be sent to for re-booting after the horrors of battle and much better that some cold, dismal Scottish stately home. Helen also recorded information on the soldiers who did not make it and who are buried in the Bordighera British Cemetery, and we reproduce a complete list at www.clarencebicknell.com/downloads. The Italians entered the war on the Allied side, declaring war on Austria, in May 1915. Commonwealth forces were at the Italian front between November 1917 and November 1918, and rest camps and medical units were established at various locations in northern Italy behind the front, some of them remaining until 1919. From the Summer of 1917 until late 1918, the Mediterranean lines of communication for the British Salonika Force ran the length of Italy from Taranto in the south-east, to Turin in the north-west. The 62nd General Hospital was posted at Bordighera from January 1918 to January 1919, and the 66th from January to March 1918. The British cemetery is opposite the town cemetery and was used from November 1917 to January 1919. It contains 72 Commonwealth burials of the First World War, and 12 Austrian war graves.
You can download the complete list of personnel buried at Bordighera British Cemetery in Excel format
The Kitchener Stitch – Gisella Merello
Gisella Merello sent me a copy of the slides she had prepared for a presentation to school children in Bordighera on 4 December 2018. One of the slides caught my eye because of the autocratic moustachioed soldier. What’s he doing there?
To see the images referred to please download the pdf version.
Gisella’s caption reads “He knitted socks for the children of his friends, socks and bandages for the soldiers and the wounded”. Gisella sent me the quote which gave her the reason to include this soldier, who turns out to be Lord Kitchener, whose face dominated the British recruitment poster of 1914 “Your Country Needs You”.
“Lord Kitchener era un appassionato di lavoro a maglia, si fece ritirare durante la guerra boera con in mano i ferri e un calzino in lavorazione (il ritratto (attualmente esposto alla National Portrait Gallery di Londra). Gli si attribuisce l'invenzione della chiusura a punto calza (in inglese Kitchener stitch)”
which translates as
“Lord Kitchener was a knitting enthusiast. He retired during the Boer war. Here he is holding irons and a sock being worked on (the portrait is currently on display at the London National Portrait Gallery). He is credited with the invention of the Kitchener stitch, a way of mending socks”. The Kitchener Stitch is a way of sewing together two pieces of knitting so that they look like a continuous piece of knitting without any seam at all, also called weaving and grafting.
I found more about Kitchener in articles about knitting:
As many knitters know, British, Canadian and American knitters were exhorted by their governments and officially sanctioned organizations such as the Red Cross to knit for the war effort during both World Wars, and the call was readily answered. Knitting was a way for those at home to feel they were actively and materially helping their loved ones at the front, and also helped to soothe the knitters’ anxieties over the dangers faced by their men at the front as well as cope with more generalized worries over the progress of the war.Not only did knitted socks play a role in World War I, but conversely, World War I has had a lasting impact on the knitted sock. Until World War I socks typically had seamed toes, and these seams caused great discomfort for soldiers on forced marches and in the wet and muddy trenches, where those seams rubbed the men’s toes raw, which in turn could result in dangerous infections. The British Secretary of State for War, Horatio Herbert Kitchener, associated himself with the Red Cross drive to urge women to knit “comforts” or items for the men in the military, particularly mittens, socks and scarves. He was concerned about the foot problems the sock seams caused and personally contributed a pattern for socks which included a seamless grafting technique that would come to be known as the “Kitchener stitch”.
The Kitchener stitch is still widely used today. Knitty.com has a tutorial on how to work the Kitchener stitch, and there are a number of YouTube videos that demonstrate it, such as this one. Lord Kitchener is credited with inventing this technique himself, but I’m skeptical as to whether he actually did. Apparently there is no real evidence of it, and I think it much more likely that, at most, he recognized the need for a seamless sock toe, asked a knitter of his acquaintance to figure out a way to create one, and then took the credit in order to use his famous (and, at the time, revered) name to promote it.
So it turns out that knitting was a vital part of the war effort, of activities in Bordighera and of Bicknell’s contribution.
Download this article with its pictures in pdf
The Fitzwilliam Museum, University of Cambridge, has now listed their complete collection of Clarence Bicknell watercolours, over 400 of them at
or http://webapps.fitzmuseum.cam.ac.uk/explorer/ and search for "bicknell, clarence"
50 of the entries, both symmetrical images and his Victorian whimsy, have full colour picture and they are lovely to look through.
They are downloadable too!
Clarence's centenary rumbles on. Here is a cracking 2 page article on him in the glossy high-end Riviera Insider magazine, nicely written. Thank you Nicole.
See the whole magazine at https://issuu.com/rivieratimes/docs/riviera_insider_november_december_2_73274e7139bcfc
"Clarence Bicknell – In the Past for the Future"
Exhibition at Istituto Internazionale di Studi Liguri & Museo Bicknell, Bordighera
Report by Graham Avery, Vice-Chairman of the Clarence Bicknell Association (the "written by" credit above is provided by default by our web structure Joomla: Marcus onlo uploaded Graham's piece).
This exhibition organised by the Istituto Internazionale di Studi Liguri and the Museo Bicknell in Bordighera was inaugurated on 18 July 2018, to celebrate the centenary of Clarence Bicknell’s death. The exhibition is presented in an impressive way, partly in the building of the IISL and partly in the Museo. It is an admirable tribute to the man who founded the Museo, and a ‘must’ for anyone interested in his life and work.
In a brief review it is not possible to describe all the interesting material displayed, and in this note I mention only some of the highlights. One of the outstanding features of the exhibition is the quantity of new material relating to Clarence (documents, photographs, books and other objects) which the Museo has recently acquired. This collection is described as ‘Lotto Bicknell 2017’, and since some of it evidently belonged to Clarence’s faithful assistant Luigi Pollini, one may guess that the collection was preserved by his family. There are some excellent photos of Pollini such as the one on the right.
Photos of Clarence's dog Mahdi in 1904
Ornate column in Egypt, watercolour by Clarence in 1890
Clarence’s faithful assistant Luigi Pollini in 1900
A fascinating display panel ‘Viaggi Esperantisti, Viaggi vicini e lontani’ (Esperanto Travels, Travels near and far’ shows how Clarence travelled to many countries in Europe and elsewhere, through his interest in Esperanto, botany, and archaeology. Valerie Lester’s biography Marvels: The Life of Clarence Bicknell recounts these travels in more detail: for example, Clarence went to Esperanto World Congresses in Boulogne, Geneva, Cambridge, Cracow and Paris; he did not, however, visit Tasmania or New Zealand.
Among the material from Lotto Bicknell 2017 are many photographs, including Album 5 with 172 photographs of Bordighera, the Maritime Alps, flora and soon, all in excellent condition. In this album, for example, is a photograph of Villa Garnier, Bordighera, around 1900, from which it can be seen that many of these photographs were annotated by Clarence Bicknell’s friend Fritz Mader, who was a prolific photographer as well as alpinist, botanist, speleologist, geographer and author.
A display panel ‘Bicknell e lo spirito esperantista’ shows a fascinating photograph of Clarence and others at the Esperanto World Congress in Cambridge in 1907.
A display panel ‘Bicknell’s world e Bicknell’s friends’ shows participants in a botanical congress at Hanbury Gardens, La Mortola, in 1912, including Clarence Bicknell and other botanists whom he knew such as Augusto Beguinot (Clarence’s first biographer), Fritz Mader, Alwyn Berger (Curator of Hanbury Gardens), Otto Penzig (Professor of Botany at Genova), as well as Eva Mameli (mother of the famous author Italo Calvino). Image right
Associated with this panel is a remarkable display of letters and documents from scholars and others entitled ‘Le lettere del mondo dei studiosi a Clarence Bicknell (Lotto Bicknell 2017)’ [Images 10-12]. The persons mentioned in this display are:
Antonio Magni 1844-1933, medico, archeologo e storico di Como
Gabriel Gustafson 1853-1933, archeologo, scopritore della nave di Osemberg
Burkhard Reber 1848-1926, archeologo, botanico e farmacista svizzero
Emile Carttailhac 1843-1921, studioso di preistoria francese
Henri Ferrand 1853-1926, avvocato, geografo e alpnisita francese
George Coffey 1857-1916, archeologo e nazionalista irlandese
Alberto Pelloux 1868-1918, mineralogista italiano
Antomio Taramelli 1863-1939, archeologo noto per i suoi studi in Sardegna, and
Luigi Pollini, braccio destro e amico di Clarence Bicknell.
It is to be hoped that these interesting letters, together with the rest of the important material acquired by the Museo, will be catalogued and made available to the research community.
Submitted by Graham Avery 25/07/2018
Note from Marcus Bicknell. The exhibition has had good reviews and a certain amount of publicity in the press and on television. Here are two stills from San Remo TV which reported in full on the exhibition and the Clarence Bicknell Centenary.
Les Botanistes au Sommet
Exhibition by the Museum d’Histoire Naturelle de Nice
in the Bibliotheque Louis Nocera in Nice, Sept-Oct 2018
29 October 2018 Visit report by Marcus Bicknell
Olivier Gerriet showed me round on a Monday which is normally closed, which was kind. The exhibition has had good reactions from visitors and quite good numbers. We met an assistant director of the library who was sad it was closing so soon but there has to be an exhibition about the end of WWI still this year.There is interest from other local museums to show the exhibition; Gerriet is coordinating that with the Parc de Mercantour. I have told him they can keep the CB items; only the pocket sketch books are of any intrinsic value, i.e. irreplaceable. Gerriet did not confirm that they would keep them.
Each botanist has an individual roll-up poster display (Clarence’s pictured right) which Susie and I saw early in the process. We contributed to and corrected CB’s text. Much of the CB material we provided is displayed in a glass-topped cabinet, image, left; 2 pocket sketch books; 2 print proof pages from Flowering Ferns; wooden box of watercolour paints and brushes; 2 landscapes reproduced on framed canvas; photo prints of CB in the mountains; 3 reports of Fitzwilliam symmetrical patterns. A copy of Flowering Ferns of their own is displayed.
The period photo (left) of the Cime Bicknell is not immediately identifiable as the same as the photo we know; it’s a wide range, of which one is Bicknell 2600m, alongside Paracuerta (2385m) and Santa Maria (2739m)... the Massif du Gelas, photo taken from le Mont Claminejas (2919m) by Victor de Cessole in 1908.
Having visited the Bodini Museum in Parma a few weeks ago I was interested in some original botanical books as early as the 17th century and an early edition of one of Linneaus’s Species Plantarum of 1799. One of the original lithograph stones, 80 mm thick, from which Barca’s book of drawings was printed is displayed alongside the print that comes from it.
The organisers’ description of the items in the exhibition are on the next pages.
We thank Olivier Gerriet and Jean-Félix Gandioli warmly for their work in favour of informing people about Clarence Bicknell and for the excellent exhibition.
You can download a copy of this article, with additional material such as the organisers' description of the contents of the exhibition here
The Meli Lupi Loop
Would Clarence Bicknell have been a rock guitarist?
How have rock music, a modern day Italian marquis, an 18th century typographer and the Victorian polymath become entwined in a rich flurry of culture in Parma this week?
The story starts in the Charlie Chaplin film lot in Hollywood, California, in February 1977... that was the head-quarters of one of the most dynamic private record labels of the 70s and 80s, A&M Records, master-minded by Herb Alpert and Jerry Moss. A&M’s underground rock band Supertramp is about to burst onto the international stage with Even in the Quietest Moments released in April 1977. Band members are around the offices meeting record company executives and promoting the new LP.
Fresh-faced Marcus Bicknell, 29 years old, was appointed to the new post of CEO, A&M Records Europe, in January 1977 and was spending induction time on the lot with the A&Mers to understand the company’s business ethics and to prepare the establishment of their new office in Paris. John Helliwell, Supertramp’s ingenious and characterful sax-player and front man, struck up a conversation with Marcus which has continued for nearly 42 years. As Supertramp’s massive hits rolled out across Europe, John was most frequently the Supertramper who travelled round the continent to promote upcoming records and concerts to the radio stations and journalists, Marcus pulling the strings. Their friendship and extra-mural activities flourished; in 1982 John and his wife Christine joined Marcus and his wife Susie on 1000cc Honda motorcycles in a tour of France, the four of them sporting white leathers provided by Patrice Blanc-Francard’s France Inter radio station and in-helmet CB radio walk-in-talkies.
Years later, as John’s music career develops into jazz with his Creme Anglaise and on tour round Germany with Excalibur he accepts the invitation from Italian guitarist Raimondo Meli Lupi to play in Parma. For October 2018, Raimondo has also invited Chris Thompson, the voice on Manfred Mann’s Blinded by the Light, to play both rock classics (including a couple of Supertramp’s hits from Quietest Moments) and some mellifluous jazz-influenced tunes.
John and Marcus get talking about the 2018 Clarence Bicknell centenary, which is already packed with 40 events - film projection, book launches and talks - in 5 countries. Hmm... John mentions his friend Raimondo who is at the core of Parma’s cultural firmament, involved not just in music but in the Meli Lupi Foundation, charities and sports promotion. What about a Clarence Bicknell event in Parma. Raimondo seizes the opportunity, contacts his friend Professor Marcello Tomaselli of the School of Botany at the Università degli Studi di Parma. A date is set for 10th October for the projection of the film about Clarence Bicknell, a botanist above all the elements of his career, and presentations by Gisella Merello, Giuseppe Bessone of Bordighera and me, Marcus Bicknell, always credited as Clarence’s nephew. Oh, and on the 12th and 13th October, John Helliwell, Chris Thompson, Raimondo Meli Lupi and his musician friends will play the concerts in Parma... we will all get to experience the music too.
This plan is too much for Valerie Lester back in Boston. The biographer of Clarence Bicknell is also the biographer of Parma’s greatest son, Giambattista Bodoni, the prince of typographers, a man who as printer to the royal court was the Rupert Murdoch and the Mark Zuckerberg of middle Italy in the 18th century, the man through whose printing presses all communication flowed. Valerie had spent many months on 5 visits to Parma’s archives between 2008 and 2013 and had fallen in love with the place. Her Bodoni was published in 2016. She was not able to travel to Bordighera and Tende for the July 2018 Clarence Bicknell celebrations so she booked the flights to Parma. We added her to the list of speakers and Parma cocked an ear.
By a remarkable alignment of the planets, Helliwell, Meli Lupi, Bicknell and Lester are united this week in Parma. As I write, we are revelling in the acclaim for the Clarence Bicknell film and seminar on Wednesday; our ears are still buzzing with the roof-raising music of the Friday night concert.
The City of Parma enjoyed the Bicknell event; the dynamic council member fo the Environment and Culture, Tiziana Benassi, came to the event and welcomed us all from the podium... “we have an obligation to preserve and promote culture”. In the meantime Il Marchese Raimondo Meli Lupi di Soragna (for, yes, it is he) has been spoiling us rotten with elegant dining at his country home (indeed, Parma ham) plus visits to Parmesan cheese factories and art galleries. Valerie took us to the Bodoni Museum where she spent so much time studying and where we saw the collection of type matrices and fonts, press, printing equipment and print samples, normally closed to the public. Next door, the Teatro Farnese is the world’s biggest theatre made entirely from wood, a mind-blowing space.
No, Clarence was never a rock guitarist. But the culture of the 21st century is as vibrant as that of the 19th century. We can look back on this week, as on Clarence’s life’s work, with pleasure and pride.
We also learn (thank you John Helliwell, Raimondo Meli Lupi, Professor Marcello Tomaselli, Tiziana Benassi, Giuseppe Bessone, Gisela Merello Folli and Valerie Lester) that one of the greatest privileges of life is the willingness to say “Yes”.
Marcus Bicknell 12 October 2018, Parma
Was Clarence a spiritualist in later life? It was so fashionable in Victorian parlours, was it not? When he gave up his activities in the Anglican Church in 1879, on arrival in Bordighera, he continued to be passionate about religion in general; he had even preached about his eucumenical principles and the need to respect those who worship a different god. I quote from Valerie Lester's biography of Clarence... MARVELS... below.
Now a notebook written by Clarence in 1907 has come to light in the Bicknell collection. The motivation to publish it has come from my cousin Renchi Bicknell who feels many personal links with Clarence and is preparing to talk in Glastonbury on 15th November about Clarence's "other" beliefs. Did his interest in other beliefs extend to spiritualism, the supernatural and to "the other side". Well yes... Giovanni Russo of the Museo Bicknell in Bordighera, expert on Clarence's books, has noted several titles written by others, but on these very subjects. The complete list is on this web site (click on The Man, then on Bibliography) and I have listed a few of the more interesting ones below.
In the meantime I have scanned the notebook and am hoping that Renchi will transcribe it so that we can read it more easily on the internet. For the time being you can download the scan in pdf and have a look. Just 17 pages, in pencil; it looks like a notebook he would use when he could not think of anywhere else to write his experiences.
Excerpt from Valerie Lester's MARVELS: The Life of Clarence Bicknell, page 48, on the moment when Clarence antagonised his congregation with talk of other faiths
"In May, Bordighera was in a frenzy of excitement over the celebration of St Ampelio’s day. (Clarence’s spelling of Ampelio/Ampeglio varies.) A week before the actual anniversary on the 14th, Clarence attended a service in the parish church where the parishioners ‘were keeping a Novena for S. Ampeglio, his arm bone being on the altar in a [case], surrounded by candles . . . a litany sung & hymns & then the kneeling congregation . . . were blessed by the relic . . . I thought it all very horrible & was glad to be out again.’ This revulsion did not dim Clarence’s enthusiasm for the saint. On the Sunday before the anniversary, he gave notice of the feast of S. Ampelio to the congregation of All Saints, ‘to the astonishment of Protestants & Anglicans who are so anti-Roman or so insular that they cannot understand how we can love to rejoice with them that do rejoice, & confess the unity of all without holding to strict doctrines of one kind or another.’
"On 14 May itself, a crucial day in Clarence’s religious journey, he wrote in his diary, ‘S. Ampelio – Hermit of the Thebaid, blacksmith by trade, wafted in his westward wanderings to the Italian shore, to Bordighera where in a cave on the shore he is said to have lived & taught & died – We had our Chapel decorated & H.C. at 8. when I said a few words about the festival & why we sd. keep it right joyously, in order to rejoice with those who rejoiced.’ The celebration of St Ampelio did not sit well with the conservative faction at All Saints."
Copyright © 2018 Valerie Lester. ISBN 978 1 7890 1494 5 hardback
Some books which belonged to Clarence Bicknell and which are now in the Biblioteca Civica Internazionale in Bordighera. With thanks to Giovanni Russo of the Museo Bicknell for his research and the list:
Rêve blanc / Henri Ardel. – Paris : Plon, 1895. – 281 p. ; 18 cm Coll. ARD., BIB 32807. C. Bicknell
The devil in Britain and America / by John Ashton. – York : Ward and Downey, 1896. – x, 363 p. ; 23 cm Coll. 235 ASH, BIL 6809, 13639 barrato. C. Bicknell
The Hebrew prophet / by Loring W. Batten. – London : Methuen & co., 1905. – x, 351 p. ; 20 cm Coll. 296 BAT, BIL 6880, 13734 barrato. C Bicknell 1907
A buddhist catechism : an outline of the doctrine of the Buddha Gotama in the form of question and answer / by Subhadra Bhikshu. – London : Redway, 1890. – 92 p. ; 18 cm Coll. 294 BHI, BIL 6952, 13766. C. Bicknell
Complications sentimentales / Paul Bourget. – Paris : Lemerre, 1898. – 358 p. ; 18 cm. Coll. F. BOU, 32791. C. Bicknell
The manners, customs and condition of the North American indians / by George Catlin. – London : published by the author, 1841. – 2 v. : ill. ; 26 cm 572.9 CAT, BIL 1881-1881, 13747-13748 barrato. C. Bicknell
The supernatural : its origin, nature, and evolution / by John H. King. – London : Williams and Norgate ; New York : Putnam’s sons, 1892. – 2 v. : ill. ; 22 cm. Coll 133 KIN, BIL 6997-6998, barrato 13773-13774. – C Bicknell Photo of the cover embedded in this article
Apparitions and thought-transference: an examination of the evidence for telepathy / by Frank Podmore. – London : Scott, 1894. – xiv, 395 p. ; 18 cm. – The contemporary science series ; 26 Coll. 133 POD, Bil 6869, 13724 barrato. C. Bicknell
Modern spiritualism : a history and criticism / by Frank Podmore. – London : Methuen & co., 1902. – 2 v. ; 23 cm Coll. 133 POD, BIL 1555-1556, 13614-13615 barrato. C. Bicknell 1907
Delighted to say that Valerie Lester's MARVELS: the Life of Clarence Bicknell has had a review in another useful publication, VENUE magazine, Arts for the East of England based in Cambridge. The review will come out in their autumn edition. There are some really nice compliments in the revue.
By the way, I have professionally-printed copies of the A4 flyer for MARVELS with the revue in Country Life (August 15, 2018) on the back. If anyone would like a stock of these flyers for display or giving to friends then please let me know and I will mail them. I attach this flyer for your info, in two files, recto and verso.
Valerie Lester, the author, addressed her home crowd about the 5 year research and writing of MARVELS and introduced the film The Marvels of Clarence Bicknell. Susie and Marcus Bicknell then presented on Clarence's art. The question and answer session was particularly lively as several VIPs were there including Bruce Kennett (author, scholar on arts and crafts design especially W.A. Dwiggins), David Godine (owner and publisher, David Godine) and Sue Ramin who works for him.
Marcus Bicknell, the editor of this website and chairman of the Clarence Bicknell Association was moved to verse in honour of Valerie's triumph there. Download the Ode to Clarence and Valerie at Hingham in pdf here.
There will be three talks in the International Civic Library (Biblioteca Civica Internazionale) of Bordighera as part of the 2018 Clarence Bicknell Centenary:
6 October at 16:30. Clarence Bicknell Centenary Talk by Fulvio Cervini: Photographing the Ideal Landscape; Ezio Benigni's Liguria
13 October at 16:30. Clarence Bicknell Centenary Talk by Giovanni Russo: His personal collection at the Civic Library; the books of Clarence Bicknell
18 October at 16:30. Clarence Bicknell Centenary Talk by Gisella Merello: Clarence Bicknell's first encounter with Bordighera
Opening in Ventimiglia, Italy, this Saturday, an exhibition of drawings by Andrea Guerzoni inspired by the memory of Clarence Bicknell, in the splendid Museo Civico Archeologico "Girolamo Rossi" which runs till the end of September. See the flyer to the right for opening times.
Andrea Guerzoni's artwork and his exhibition at the Museo Civico Archeologico Girolamo Rossi, Ventimiglia, in September 2018 are a great tribute to Clarence Bicknell whose centenary has been celebrated round Europe in 2018. We find this a creative and exciting way to bring Clarence's botanical drawings and Andrea's work to life. We find it fascinating and we are grateful for the tribute he pays to Clarence. The Bicknell family congratulates Andrea and our association is proud to be working together in any way.
We have translated the comments Andrea wrote about the exhibition and you can download it here
With thanks to Dssa. Daniela Gandolfi and the staff of the Museo Rossi for their efforts for the Clarence Bicknell 2018 Centenary.
We are very pleased with the article Les Merveilles de Clarence Bicknell by Jean-Loup Fontana in the monthly magazine Revue L’Alpe numéro 81 of July 2018. You can see the whole magazine at https://www.lalpe.com/lalpe-81-plein-sud-des-ecrins-a-la-mediterranee/
As the text is difficult to read online (they would like you to buy copies of the magazine) we are making available a pdf of this article alone, which you can download here:
This pdf version is not available to the public so please do not share it widely.
Review of MARVELS and preview of the USA book launch on September 12th... in the Hingham Journal, clearly one of Boston's leading, and best-informed, newspapers!
Hingham author Valerie Browne Lester’s recently-published biography about the life of the multi-talented botanist/archaeologist/artist Clarence Bicknell coincides with the 2018 centenary of his death, but it is also the captivating story of his remarkable life.
“Bicknell was absolutely charming, witty, and genial -- devoting his life to the enrichment of knowledge,” she said.
Hingham Public Library will host an “Evening with the Author” event Wednesday, Sept. 12, at 7 p.m., when Lester will present “Marvels: The Life of Clarence Bicknell,” featuring a film screening of a movie about Bicknell’s life introduced by his great-grand nephew -- London-based Marcus Bicknell. Both will be available to answer questions at the end of the presentation. Lester, who does much of her writing at the Hingham library, was in the United Kingdom in June for a similar launch of the book at the Fitzwilliam Museum, Cambridge University. She was born in England.
“I think Hingham Public Library and its programs are stellar,” she said. “I also love living in Hingham because of its proximity to the water, the beach, its historic architecture, and World’s End.”
Lester spent five years researching Bicknell’s life, poring over hundreds of newly-discovered letters, diary entries, arts-and-crafts designs, and botanical watercolors in a number of archives, including the Fitzwilliam Museum, the Natural History Museum, Genoa University, and the Conservatoire Botanique in Geneva.
“Marcus had inherited lots and lots of material about Bicknell -- photos, sketchbooks, stories, and correspondence,” which were invaluable in her research, Lester said.
The book, which features more than 200 images (photographs and drawings), provides valuable insights into how and why Bicknell -- a product of the late-Victorian Enlightenment -- strove for perfection in every subject he tackled. He desired to understand the world and to express what it’s all about in a creative way. Bicknell’s time in Bordighera on the Italian Riviera and Casterino in the Maritime Alps near the Vallee des Merveilles, now in France, provides a compelling backdrop for the story of this life and achievements. Interestingly, after graduating in mathematics from Cambridge University, Bicknell decided to enter the Church of England to become a priest.
“After about 12 years in the church he lost his faith and moved to the Italian Riviera, where his religious energy was turned toward nature,” Lester said. “Then he became a botanist, and like so many Victorians, a list-maker.”
Thousands of watercolors ...
Bicknell went on to write two books about the flora of Liguria, “painting literally thousands of watercolors of flowers and also creating designs which he made into albums,” Lester said.
Then he started going to the mountains -- becoming an archaeologist and writing about the rock carvings he discovered there.
“Bicknell copied the carvings by doing rubbings and also wrote a definitive book about the rock carvings of the Maritime Alps,” she said.
Lester, an independent scholar, writer, and translator, is descended from Bicknell’s grandparents. She is also the author of “Fasten Your Seat Belts!”; “Heroism in the Pan Am Cabin,” (she is a former Pan Am stewardess); “Phiz, The Man Who Drew Dickens,” a biography of Hablot Knight Browne, Dickens’ main illustrator, who was also Bicknell’s uncle and Lester’s great-great-grandfather; as well as other books, poetry, plays, and articles -- with more to come!
“I always wrote letters, but I started writing seriously at the age of 40 -- poetry at first, then a couple of plays and an as-yet-unpublished novel that I’m still working on, the Pan Am book, and then I started writing biographies,” Lester recalled.
For the Bicknell biography, Marcus Bicknell assembled “Team Bicknell” composed of an amateur botanist, an archaeologist, a landscape architect, and an arts and crafts specialist.
“Marcus was the driving force and I was the principal writer,” Lester said. “They would all feed me information on their subjects and also material to incorporate into the book.”
Amazing discovery ...
For instance, the botanist discovered a cache of 690 letters in a botanical museum in Geneva written by Clarence to another botanist. The two men became friends over time. One of Lester’s favorite parts of writing a book is traveling to other countries to gather information. “I love doing research,” she said.
“Bicknell was quite a combination of talents,” according to Lester. Not only was he an archaeologist, botanist, and artist (sometimes his botanic art was tinged with whimsy), he was also an author, traveler, Anglican priest, humanist, philanthropist, and Esperantist. (Esperanto is constructed language based on roots from the main European languages, devised in the late 1880s as an international medium of communication.) “Clarence Bicknell was a man of peace, becoming an Esperantist shortly before World War I. He believed that people who spoke a common language would be less likely to wage war against each other.”
‘A wonderful book’ ...
Bruce Kennett, author of W.A. Dwiggins: A Life in Design” -- who recently introduced this fascinating book about the late longtime Hingham resident during an earlier “Evening with the Author” -- has high praises for “Marvels.” “Lester describes Bicknell’s active life in vivid detail, giving her readers a sense of his sweet disposition and drive to discover, and a good taste of the places and time in which he lived,” Kennett said in a review of the book. “In addition to the fine narrative, the book is filled with photographs and drawings that enrich the story. A wonderful book.”
Lester says she hopes readers of “Marvels” will have a “really pleasant armchair travel experience and come to understand the life of this talented Victorian bachelor. We know all the big Victorian names such as Darwin, but there are so many [unknown] people like Bicknell who led fascinating lives while contributing so much to the general [good],” Lester said. “Because he was wealthy he could lead a life devoted to the enrichment of knowledge.”
Copies of “Marvels” will be available for signing at the event and may also be purchased through Amazon and at clarencebicknell.com, which commemorates the life and work of Bicknell.
“Clarence might be the forgotten genius of 19th-Century science, arts, and crafts,” the website states. “Our activities aim to put that right.”
The new biography of Clarence Bicknell, MARVELS, has been reviewed in Country Life this week. If you can't read it from the jpeg then it is here in a reformatted text form. Click here.
This is a great breakthrough in our efforts to get Clarence in front of a wider public; this is the first mass media coverage of his work. Coming on top of the four exhibitions still running (Fitzwilliam Museum, Cambridge; Wren Library, Trinity College, Cambridge; Musée des Merveilles, Tende, France; and Museo Bicknell, Bordighera, Italy) and the strong response to MARVELS the book, we can hereby declare the 2018 Clarence Bicknell Centenary ... A SUCCESS.
Buy your copy now from www.clarencebicknell.com/en/shop, from Amazon or from retailers.
You might want to provide information about Valerie Lester's Marvels: The Life of Clarence Bicknell, Botanist, Archaeologist, Artist to a friend or contact. Here are two versions which you can download, forward as a link or print out:
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